Free PDF Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing
Free PDF Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing
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Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing
Free PDF Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing
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About the Author
Maureen A. Ryan is a New York–based producer concentrating on narrative and documentary fea-ture films. She is co-producer of James Marsh’s Man on Wire, winner of the 2009 Academy Award for Best Documentary and the 2009 BAFTA for Best British Film. She is also the co-producer of Project Nim and the production advisor on the Netflix 10-part series Making a Murderer by Moira Demos and Laura Ricciardi. She is co-executive producer of the television pilot Stanistan for USA Network / Univer-sal Cable Productions. She is the executive producer on The Penny Black, a nonfiction episodic series with a pilot episode already produced, and is the re-creations producer for both Johanna Hamilton’s new feature documentary, 1971, and for Alex Gibney’s feature documentary, Mea Maxima Culpa: Si-lence in the House of God. The author is also a producer of the independent narrative film BOMBER, which premiered at the SXSW Film Festival and won numerous film festival awards. Ryan’s other producer credits include Red Flag, The Gates, Grey Gardens: From East Hampton to Broadway, The Team, The King, Torte Bluma, Last Hand Standing, and Wisconsin Death Trip. Additional awards have included a Peabody Award, three AICP Awards, a Billboard Award, a Freddie, a CMA Award, an ACM Award, 11 Addys, and 5 Tellys. Ryan is the Chair / Associate Professor of Columbia University’s Graduate Film program and holds an MFA (Film) from Columbia’s School of the Arts and a BA (Economics) from Boston College. Ryan has taught film seminars domestically and internationally in Toronto, Canada; Amman, Jordan; Beijing, China; Brussels, Belgium; and Kinshasa, Congo (on a Fulbright grant). The first edition of Producer to Producer has been translated into Japanese and Chinese. The companion website is www.ProducerToProducer.com.
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Product details
Paperback: 350 pages
Publisher: Michael Wiese Productions; 2 edition (April 28, 2017)
Language: English
ISBN-10: 1615932666
ISBN-13: 978-1615932665
Product Dimensions:
7 x 1.2 x 10.2 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
4.9 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#60,877 in Books (See Top 100 in Books)
Maureen Ryan's brilliant book has everything you need to know to produce a film. It’s a perfect encyclopedia for your production needs. She has written it with knowledge and clarity and shared some stories to give us even more understanding of how important each element is and why it is needed. I found this to be the prefect book for my students. No matter what position you maintain in the industry, this is a wonderful book to have for references. Carole Dean, author, The Art of Film Funding
Lots of great info here.Strangely, though, in the chapter "Hiring Crew", there is a section titled "Crew Positions: Who Does What", wherein 36 titles are given and zero information about what they do, - just a list of titles.There is a sentence,: "In Chapter 3 (Budgeting) I outlined a short description of each job." I went back to chapter 3 and there is no such description of each job. There are a few like "Set Dressers - These people work under the Leadperson to dress the set." But nothing about what a 1st AD does or a 2nd AD. All this stuff for camera crew is said to be supposed to go in section B of the budget, but this is the one section of the budget chapter that gives you another list of titles, rather than job descriptions. Other jobs like casting director are defined, but not key shooting crew.Not a huge deal and this info can be found on the web; it's just weird to have a section with a title like "Who Does What" that doesn't explain who does what. Even if some of it was talked about briefly earlier, the perfect place to have it as a reference is in the "Hiring Crew" chapter. I enjoyed the book. This just left a bad taste.That was my one peeve from almost 400 pages, so don't let that stop you. This book answered tons of questions and, I know it's trite to say, but it answered questions I didn't know I had.
This books value FAR exceeds its cost. It is packed full of concrete tips and information from start to finish of a production. There is so much useful information that would have taken me countless hours, phone calls, and failures to find out on my own. 10/10 best production book I have found to date.Indy filmmakers... THIS IS YOUR BIBLE.*Additional note: I emailed Maureen to thank her for this book and she answered the next day with a very kind message. Thanks again for sharing your knowledge and support :)
An excellent book that explains the process to produce a film from the “seed idea†to the Distribution’s profit. This is not a “how to†in nuts and bolts in the process of filmmaking like lens, and camera and audio. This is more towards the business side of the show business simplified with basic English and little business jargons. Very easy for the beginners and a refreshing for the professional film producer.
The book is super helpful. I am new to producing and needed a book that gave me step-by-step guide on how to make a film. I definitely recommend this for beginners, its has a lot of great resources.
I'm not even Qualified to have an opinion on this lady's work. I can only say that it has helped me tremendously and I'm grateful.
If you want to know how to make a movie from A to Z, this book is a must.
Great Info.!!!!
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